A3 Book section, Chapters in research books
Obedient artists and mediators : Women icon painters in the Finnish Orthodox Church from the mid-twentieth to the twenty-first century (2020)
Husso, K. (2020). Obedient artists and mediators : Women icon painters in the Finnish Orthodox Church from the mid-twentieth to the twenty-first century. In H. Kupari, & E. Vuola (Eds.), Orthodox Christianity and Gender : Dynamics of Tradition, Culture and Lived Practice (pp. 63-79). Routledge. Routledge Studies in Religion. https://doi.org/10.4324/9780203701188-4
JYU authors or editors
Publication details
All authors or editors: Husso, Katariina
Parent publication: Orthodox Christianity and Gender : Dynamics of Tradition, Culture and Lived Practice
Parent publication editors: Kupari, Helena; Vuola, Elina
ISBN: 978-1-138-57420-5
eISBN: 978-0-203-70118-8
Journal or series: Routledge Studies in Religion
Publication year: 2020
Pages range: 63-79
Number of pages in the book: 224
Publisher: Routledge
Place of Publication: Abingdon
Publication country: United Kingdom
Publication language: English
DOI: https://doi.org/10.4324/9780203701188-4
Publication open access: Openly available
Publication channel open access: Open Access channel
Publication is parallel published (JYX): https://jyx.jyu.fi/handle/123456789/67617
Abstract
This chapter examines the role of women icon painters in the Finnish Orthodox Church in the second half of the twentieth century. The 1960s witnessed the entry of women professionals into the fields of icon production and related research in Finland. The new role of women as iconographers and icon scholars highlighted the unchallenged division between official and unofficial Orthodoxy as, before, the public representatives and spokespersons of Orthodoxy had been clerics. This caused controversy among Orthodox (male) authorities. However, when icon painting became a popular hobby among Finnish Lutherans in the last quarter of the twentieth century, Orthodox women iconographers became the primary guardians of the Orthodox icon tradition. From their position outside church hierarchy, they were able to publicly defend theological convictions more firmly than bishops or priests.
Keywords: icon painters; icon painting; Orthodox Church; tradition; women
Contributing organizations
Ministry reporting: Yes
VIRTA submission year: 2020
JUFO rating: 3