A3 Book section, Chapters in research books
Obedient artists and mediators : Women icon painters in the Finnish Orthodox Church from the mid-twentieth to the twenty-first century (2020)


Husso, K. (2020). Obedient artists and mediators : Women icon painters in the Finnish Orthodox Church from the mid-twentieth to the twenty-first century. In H. Kupari, & E. Vuola (Eds.), Orthodox Christianity and Gender : Dynamics of Tradition, Culture and Lived Practice (pp. 63-79). Routledge. Routledge Studies in Religion. https://doi.org/10.4324/9780203701188-4


JYU authors or editors


Publication details

All authors or editorsHusso, Katariina

Parent publicationOrthodox Christianity and Gender : Dynamics of Tradition, Culture and Lived Practice

Parent publication editorsKupari, Helena; Vuola, Elina

ISBN978-1-138-57420-5

eISBN978-0-203-70118-8

Journal or seriesRoutledge Studies in Religion

Publication year2020

Pages range63-79

Number of pages in the book224

PublisherRoutledge

Place of PublicationAbingdon

Publication countryUnited Kingdom

Publication languageEnglish

DOIhttps://doi.org/10.4324/9780203701188-4

Publication open accessOpenly available

Publication channel open accessOpen Access channel

Publication is parallel published (JYX)https://jyx.jyu.fi/handle/123456789/67617


Abstract

This chapter examines the role of women icon painters in the Finnish Orthodox Church in the second half of the twentieth century. The 1960s witnessed the entry of women professionals into the fields of icon production and related research in Finland. The new role of women as iconographers and icon scholars highlighted the unchallenged division between official and unofficial Orthodoxy as, before, the public representatives and spokespersons of Orthodoxy had been clerics. This caused controversy among Orthodox (male) authorities. However, when icon painting became a popular hobby among Finnish Lutherans in the last quarter of the twentieth century, Orthodox women iconographers became the primary guardians of the Orthodox icon tradition. From their position outside church hierarchy, they were able to publicly defend theological convictions more firmly than bishops or priests.


Keywordsicon paintersicon paintingOrthodox Churchtraditionwomen


Contributing organizations


Ministry reportingYes

VIRTA submission year2020

JUFO rating3


Last updated on 2024-12-10 at 05:31