A1 Journal article (refereed)
Film Nationality : The Relevance of This Concept in Europe (2020)


Kulyk, Laëtitia (2020). Film Nationality : The Relevance of This Concept in Europe. Journal of Arts Management, Law, and Society, 50 (2), 71-84. DOI: 10.1080/10632921.2019.1698482


JYU authors or editors


Publication details

All authors or editors: Kulyk, Laëtitia

Journal or series: Journal of Arts Management, Law, and Society

ISSN: 1063-2921

eISSN: 1930-7799

Publication year: 2020

Volume: 50

Issue number: 2

Pages range: 71-84

Publisher: Taylor & Francis

Publication country: United States

Publication language: English

DOI: http://doi.org/10.1080/10632921.2019.1698482

Open Access: Publication channel is not openly available


Abstract

Discussing films’ nationality raises two questions. The first relates to the identity and culture films are supposed to transmit. The second relates to the duality of the sector, which is divided into art / art-house films, defined as “national”, and into the industry / blockbuster films, defined as American productions. European institutions facilitate co-productions and the circulation of films. Co-productions have increased in the past decades, and one may wonder how they affect the “film nationality”. This issue is particularly important to address at a time when international institutions praise diversity and the specificities of nations in a global context.


Keywords: films; film production; nationality; national identity; joint production; film policy

Free keywords: film nationality; co-productions; film policies; Europe


Contributing organizations


Ministry reporting: Yes

Reporting Year: 2020

Preliminary JUFO rating: 2


Last updated on 2020-09-07 at 23:12