A1 Alkuperäisartikkeli tieteellisessä aikakauslehdessä
All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention (2020)
Küssner, M. B., Van Dyck, E., Burger, B., Moelants, D., & Vansteenkiste, P. (2020). All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention. Music Perception, 38(2), 195-213. https://doi.org/10.1525/mp.2020.38.2.195
JYU-tekijät tai -toimittajat
Julkaisun tiedot
Julkaisun kaikki tekijät tai toimittajat: Küssner, Mats B.; Van Dyck, Edith; Burger, Birgitta; Moelants, Dirk; Vansteenkiste, Pieter
Lehti tai sarja: Music Perception
ISSN: 0730-7829
eISSN: 1533-8312
Julkaisuvuosi: 2020
Ilmestymispäivä: 25.11.2020
Volyymi: 38
Lehden numero: 2
Artikkelin sivunumerot: 195-213
Kustantaja: University of California Press
Julkaisumaa: Yhdysvallat (USA)
Julkaisun kieli: englanti
DOI: https://doi.org/10.1525/mp.2020.38.2.195
Julkaisun avoin saatavuus: Ei avoin
Julkaisukanavan avoin saatavuus:
Julkaisu on rinnakkaistallennettu (JYX): https://jyx.jyu.fi/handle/123456789/78699
Tiivistelmä
Duo musicians exhibit a broad variety of bodily gestures, but it is unclear how soloists’ and accompanists’ movements differ and to what extent they attract observers’ visual attention. In Experiment 1, seven musical duos’ body movements were tracked while they performed two pieces in two different conditions. In a congruent condition, soloist and accompanist behaved according to their expected musical roles; in an incongruent condition, the soloist behaved as accompanist and vice versa. Results revealed that behaving as soloist, regardless of the condition, led to more, smoother, and faster head and shoulder movements over a larger area than behaving as accompanist. Moreover, accompanists in the incongruent condition moved more than soloists in the congruent condition. In Experiment 2, observers watched videos of the duo performances with and without audio, while eye movements were tracked. Observers looked longer at musicians behaving as soloists compared to musicians behaving as accompanists, independent of their respective musical role. This suggests that visual attention was allocated to the most salient visuo-kinematic cues (i.e., expressive bodily gestures) rather than the most salient musical cues (i.e., the solo part). Findings are discussed regarding auditory-motor couplings and theories of motor control as well as auditory-visual integration and attention.
YSO-asiasanat: musiikin esittäminen; duot (yhtyeet); solistit; soolo-osuudet; eleet; yleisö; katseenseuranta; liikkeenkaappaus; tarkkaavaisuus
Vapaat asiasanat: bodily gestures in musical duo performances; motion capture; eye tracking; auditory-motor coupling; audio-visual perception and attention
Liittyvät organisaatiot
OKM-raportointi: Kyllä
Raportointivuosi: 2021
JUFO-taso: 2